There are countless reasons why our pictures don’t turn out as expected—one of them being lack of good lens. So, the part of being a good photographer isn’t confined to learning the ins and outs of fundamental photography. Right from being technically correct to owning the right gears, and everything else in between, a lot goes behind the scenes of some ‘wow-quality’ pictures that stand out from the many gazillion pictures taken by an enthusiastic photographer.
If you really want your pictures to take wings, you better switch from the standard lens to something better. For those who are using the Sony A7 III camera, we have compiled below a list of 10 best lenses that can turn the tide in a photographer’s favor.
While some of the lenses highlighted below are underdogs, there are others that are hugely popular with the masses. Without dancing around any further, let’s dive into the list of 10 best lenses for Sony A7 III (in no particular order).
|Lens||Max Aperture||Lens Type||Weather Proof||Bokeh||Color||Sharpness||Zoomable||Filter Thread||Weight|
|1. Sony SEL85F18||F/1.8||Prime||Yes||Good||Black||Good||No||67mm||1.19lb|
|2. Sony-FE 100-400mm||F/5.6||Zoom||No||Very Good||White||Excellent||Yes||N/A||3.08lbs|
|3. Zeiss-Batis 2.8/18||F/2.8||Wide=Angle||Yes||Good||Black||Very Good||No||77mm||0.73lb|
|4. Vario-Tessar 24-70mm||F/2.8||Zoom||Yes||Excellent||Black||Good||Yes||67mm||0.94lb|
|5. Sony 16-35mm||F/4||Prime||Yes||Good||Black||Very Good||Yes||72mm||1.14lbs|
|6. Sony SEL35F14Z||F/1.4||Prime||Yes||Excellent||Black||Good||No||72mm||1.39lbs|
|7. Sony SEL50F14Z||F/1.4||Prime||Yes||Very Good||Black||Good||No||72mm||2.4lbs|
|8. Sony Full Frame||F/4||Zoom||Yes||Excellent||Black||Very Good||Yes||77mm||<2lbs|
|9. Zeiss-Batis 85mm||F/1.8||Telephoto||Yes||Very Good||Black||Excellent||No||67mm||1.05lbs|
|10. Sony SEL 100F28GM||F/5.6||Prime||Yes||Excellent||Black||Very Good||No||N/A||2.7lbs|
10 Best Lenses for Sony A7 III to Consider
1. Sony SEL85F18 85mm F/1.8-22 Medium-Telephoto Fixed Prime
- Wide F1.8 maximum aperture enables beautiful defocusing effects
- 9-blade circular aperture creates beautiful round defocused bokeh
Let’s talk budget lens for Sony A7 III first. The Sony SEL85F18 85mm F/1.8-22 Medium-Telephoto Fixed Prime Camera Lens is a budget-friendly full-frame E-mount lens that won’t break your bank nor encourage you to think about pawning your wife’s jewelry. For the low asking price, this little guy delivers bone-chilling pictures. The lens has a solid build to it, the size is convenient, and the overall performance is good too. For a surprisingly low price, Sony has nailed it with this prime portrait lens. It’s a perfect camera accessory for portraits and everyday photography. In fact, this lens will leave you with zero desire to hire a photographer for family photos anymore.
9-blade Aperture: The circular 9-blade aperture does a great job at maximizing the true potential of this lens. For those who don’t know, more aperture means better bokeh. Also, circular ones produce better bokeh than straight blade aperture.
Weather Sealed: The lens has a weather resistant built to it for heavy duty outdoor use even in challenging environments. Basically, the lens is nicely sealed to prevent damage from dirt, dust, and moisture.
Autofocus: The autofocus on this lens is fast and accurate on the Sony A7 III camera. Moreover, the autofocus is whisper quiet. Given the soft and quiet autofocus, it can be used for video work too.
-It appears relatively under-priced compared to other lenses with similar specs and features. Keep in mind that we are talking about a price gap of a few hundred dollars. Not to forget the fact that lens caps and hood are included in the asking price.
-It adds good bokeh to the image background. It’s not buttery smooth, but not bad either. Basically, the bokeh is in line with what you would expect from a 1.8 lens. The pictures turn out sharp across the entire range. Frankly speaking, it’s not hard to fall in love with the pictures this lens produces.
-This lens is recommended by many professionals because it offers an amazing price to performance ratio like nothing else in the market. Therefore, it won’t be an understatement to claim that Sony has killed the sales of other products in the same price spectrum.
-Being a ‘fixed’ prime lens, it’s not zoomable. Also, you may experience occasional ghosting issues in extreme conditions. That said, if you can avoid extreme situations, these hiccups won’t bother you.
–It’s made in China. However, this doesn’t look like a major product disadvantage because Sony guarantees a certain level of quality and handles customer support efficiently. Therefore, it’s definitely a keeper.
2. Sony FE 100-400mm F4.5–5.6 GM OSS
- G Master design combines extraordinary sharpness and smooth bokeh
- 35 mm full-frame.Double-linear and Direct Drive SSM for fast, quiet, precise focus
The Sony FE 100-400mm F4.5–5.6 GM OSS is a full-frame E-mount lens. According to many, it’s one of the best lenses ever created for Sony cameras. The range and the image quality of the lens are comfortable and suitable enough for many uses. In terms of built quality and picture output, this lens hits it out of the park. For its price point, it offers everything that you would expect from a holy grail of a lens. Simply put, this lens is a beast in its domain. Let’s get into the belly of the beast to know more about it.
G Master Design: The compact design of this lens maintains the high standard of resolution which is in line with the Sony’s flagship of G Master lens series. Furthermore, the 9-blade aperture helps to attain great bokeh.
Focus Button: As an added feature, the lens has ‘focus hold’ buttons, which allows you to lock the desired focus until you release the button. This ensures that the preferred focus isn’t lost.
Warranty: The Sony SEL100400GM comes with a legitimate full one-year manufacturer’s warranty. This is definitely a positive by-product of dealing with a reputed company such as Sony.
–The stability of the lens is unquestionable. Given its stability and focusing depth, the lens can be used for videography as well. For those who don’t know, a good lens for Sony A7III video recording is hard to find. This lens definitely fills the void.
-Regardless of the distance from the subject, the picture comes out crisp with great attention to details. It’s a perfect tool for wildlife and nature photography. The speed and sharpness of the lens are rare to match.
-It’s a perfect accessory for the Sony A7 III camera. Frankly speaking, it’s like a match made in heaven. When paired with a Sony A7 III camera, you can even capture a soccer game at night with this lens.
-Right off the bat, the lens screams high-quality. It’s a pleasure to work with a lens of superior quality such as this one. Better yet, the item arrives with a lens hood and a nice zippered bag to keep everything secure.
–It’s not much lighter or smaller than its rivals. Other than this, there are no manufacturing flaws or any other noticeable defects to moan about.
–Finally, the Sony FE 100-400mm F4.5–5.6 GM OSS doesn’t come cheap. Therefore, the asking price of the lens may trigger dirty looks from budget shoppers. That said, the lens is worth every penny.
3. Zeiss Batis 2.8/18 Wide-Angle Lens for E-Mount
The Zeiss Batis 2.8/18 Wide-Angle Lens a perfect full frame lens for E-mount cameras. It’s considered to be one of the best wide-angle lenses for creative people. This wide lens for Sony A7 III can help one take creative pictures with unusual perspectives like nobody’s business. Also, the image output of this lens is sharp with amazing resolution and high contrast. Better yet, the technology behind the lens reduces the unwanted effects of stray light. Despite its small size, it can meet the demands of professional photography. Therefore, this lens is a perfect fit for those who are into architectural, astro, and landscape photography.
Moisture Resistant: This lens has a moisture resistant construction to it for reliable photography in all weathers. It does a great job at keeping spray water and dust at bay.
Reliable Auto Focus: The autofocus feature is right on the money. It focuses quickly and accurately without making any sound. So, the autofocus is fast, accurate, and quiet.
-When paired with A7 III, you will have plenty of cushioning for cropping if you are bothered about the lens being too wide. Better yet, this beautiful pairing delivers perfect performance in low light conditions as well.
-It’s a joy to shoot with a landscape lens for Sony A7 III of this quality. The lens is wonderfully made. So, the lens has a nice feel to it. Right out of the box, trained eyes will be able to tell that the makers have put in a lot of attention to details.
-When mounted on an A7 III camera, one can expect very little to no vignetting or distortion. The rendering is also second to none. So, it would be a dream lens for landscape photography or astrophotography.
–18mm may not be the ideal focal length for general photography, especially for amateurs.
-The focus ring part of the lens can catch dust. However, you can simply wipe it off to make it as clean as before.
4. Sony Vario-Tessar T* FE 24-70mm f/4 ZA OSS
If you are looking for a full-frame E-mount lens for an all-around purpose, the Sony Vario-Tessar T* FE 24-70mm f/4 ZA OSS should be a cracker of a deal for you. The pictures you get from this lens are clear, sharp, crisp, and fabulous. So, this little jewel can be used for street photography, travel photography, videos, and for all other universal purposes. When paired with A7 III, the combination works great. For the asking price, you receive the lens itself along with front and rear lens cap, lens hood, lens cap, and a set of printed documents. Basically, you are paying a ‘not so’ pro-price for a pro lens.
Feature Rich: If you have a special admiration for Zeiss lenses, this lens won’t disappoint you because it’s built to be a workhorse. The lens has autofocus, manual focus, internal focusing feature, T* (T-star) coating, aspherical lens elements, and image stabilization options.
Aperture: The constant aperture of F4 garners more light than usual for a better shot. So, you can zoom in and out as much as you want without changing exposure. Also, the bokeh is excellent on the 70mm range.
-When mounted on the A7 III camera, the autofocus works great on video as well as still images. You can take good and quick shots without the ‘hunting problems.’
-The lens is made of metal for the most part. The lens feels nice, and it’s easy to hold and operate. Both the zoom and the focus rings are smooth and responsive. The folks at Sony went for a strong built without compromising on any of the key features.
-Given the amazing photos it delivers, you will be able to take tens and hundreds of pictures with this lens without getting plagued with any image issues that might discourage you from using the lens again.
–The lens does change length when zoomed. Also, the distortion at 24mm is not at par with what you would expect from a lens of this quality. That said, you will be able to fix the distortion with a few clicks in the Lightroom.
-The lens is a tad bit on the heavier side. This isn’t to say that it’s a monster. But, rather a little heavy to be called a compact lens. A bit smaller size and body weight would have been a better balance for A7 III. Nevertheless, the pair delivers professional quality results.
5. Sony 16-35mm Vario-Tessar T FE F4 ZA OSS E-Mount Lens
- Full-Frame FE-Mount Lens; Aperture; Range: f/4.0-22
- ED & Aspherical Elements; Zeiss T* Coating
This full frame wide-angle lens will fulfill all your must-haves for landscape and street photography. The Sony 16-35mm Vario-Tessar T FE F4 ZA OSS E-Mount Lens is specifically designed for the A7 series. Therefore, it’s a perfect pairing for the Sony A7 III camera. That said, the lens can work with any Sony full-frame mirrorless camera without any hiccups or piss poor performance. If you are fascinated by the potential of this lens, take a look at the product features given below followed by the product pros and cons so that you don’t end up with a negative backlash while shopping for the product.
T Star Coating: The ZEISS T (T star) coating is applied to the lens to reduce flare and to take care of ghosting issues. Lenses that lack this protective shield end up with a higher frequency of lens flare and reduced contrast, which affects the overall quality of the image.
Constant Exposure: It offers a constant F4 aperture throughout the range of the zoom. Plus, the lens has built-in image stabilization. The lens can handle light and darkness quite well. With these features, it’s easy to tap into the full potential of a camera.
Strong Built: This lens is built like a military tank. It’s constructed from metal for the most part. Only the lens hood has plastic on it. So, this lens is not a result of a rush job. It will survive for several years and beyond and laugh at other lenses that failed to age as gracefully as this lens.
–The lens is fantastic in almost every respect. It screams comfort, quality, and durability even from a mile. Not to forget the fact that the lens is dust and moisture resistant. So, you won’t feel like you are stuck with a product just because you have spent a lot of money on it.
-The lens can be set to auto or manual focus based on a person’s preference. The lens features separate focus and zoom ring for adjustments. These intended features are a great bonus to have.
-Pictures turn out as sharp as expected. The image contrast, the chromatic aberration, and the capability to isolate small details (despite being an F/4 lens) is like nothing else in the market for its price point. Even at 16mm, the distortion is next to none.
–The lens doesn’t have any striking negative features to bitch about. As a keynote, the lens does come with a removable lens hood. If you don’t keep good track of it, it might get lost soon.
6. Sony SEL35F14Z Distagon T FE 35mm f/1.4 ZA Standard-Prime Lens
- A perfect match for α7 series, 35mm full-frame E-mount cameras, Outstanding optical...
- Filter diameter (mm): 72 mm.Minimum Focus Distance : 098 ft (03 m), Maximum Magnification...
The Sony SEL35F14Z Distagon T FE 35mm f/1.4 ZA Standard-Prime Lens for Mirrorless Cameras is sharp and fast. It can work well with any E-mount camera out there. Leave the technical aspect alone; the lens can be acquired for its physical attributes and the high-quality images it produces on any given day of the week. It’s one of those lenses that will remain stuck in your camera from the day of purchase.
Feature-Rich: The lens is built to deliver impeccable photos. For instance, the highly-responsive and smooth aperture ring contributes to a more pleasant shooting experience. Moreover, the lens has special ZEISS T* (T-Star) coating to improve image quality. The lens also comes with an external de-click aperture switch for video work.
Product Warranty: The Sony SEL35F14Z Distagon lens comes with a one-year warranty on parts and labor. Everybody—including you—prefers products with solid warranties. By nature, it makes us like the product all the more because it gives us some internal stimulation to trust the product.
–The color and sharpness of this lens are good enough to be appreciated. Overall, it makes for some amazingly cool shots. Everything considered, it’s an excellent wide-range lens for portrait photos or casual landscaping.
-It captures clear photos even when the lights are not optimal. Moreover, the 9-blade aperture enhances the lens capacity to create beautiful bokeh. Furthermore, this Sony lens can be used for automatic as well as manual focus.
-With the right scene and distance from the subject, this lens can provide excellent bokeh. The autofocus is amazing too. It works faster with an A7RIII camera than A7RII without the need of a flash.
-Although the videography ability of this lens is good in optimal lightening, it’s okay-ish in low light conditions.
-The trade-off for all the cool features that the lens has to offer is the size. The lens is a bit heavy and bulky when mounted on any Sony E-mount camera.
7. Sony SEL50F14Z Planar T FE 50mm f/1.4 ZA Lens
- 50mm wide aperture Prime lens with ZEISS Planar design, Center to corner sharpness with...
- Sony E-mount.Filter Diameter (mm): 72 mm.ZEISS T coating delivers superior contrast and...
Considered by many as one of the best in the Sony’s line-up of high-quality lenses, Sony SEL50F14Z Planar T FE 50mm f/1.4 ZA Lens is a full-frame model lens that works with any E-mount camera. It’s amazingly beautiful with photos, and it would be a great buy for informal portraits, travel, or street photography. With super creamy bokeh at F/1.4 and beautiful physical traits, the lens is definitely a head-turner. Frankly speaking, it would be hard to find a better combination than this 50mm lens on the A7 III. Right from the color, exposure, depth, sharpness, and everything else in between, the pair nails it perfectly.
Well-Engineered: Deserving to the brand’s name, the lens has excellent light gathering ability, and it produces out-of-the-world photos without too much of a fuss. It’s an ideal lens with weatherproofing that delivers stunning shots when mounted on the A7 III camera.
Autofocus: The autofocus couldn’t have been faster and precise than what this lens has to offer. Even with low lights and no flash, it gets the intended job done like a pro without running into troubles.
–The image quality of the Sony 50mm F/1.4 Planar T ZA lens can put some of its competitors to shame. Even when shot wide open, one can expect good sharpness throughout the frame. Moreover, the distortions are well under control.
-Although the lens has a solid and heavy built to it, the results are crisp, sharp, and adorable. It’s great for video work and photography. If the lens is used to its full potential, there is no reason why one wouldn’t fall in love with the product.
-The lens is fun to work with. It mounts very well on the A7 III camera. It’s highly versatile, and the craftsmanship on the lens is simply unmatched. The focus ring offers the right amount of resistance for a perfect job. The aperture ring has a good feel to it as well.
–The lens lacks OSS. That said, it has been noted that OSS offers very little benefits with wide-angle lenses. Not to forget the fact that there are innumerable ways to take quality pictures without the OSS.
-With F/1.4 aperture, there is obvious vignetting. But, this shouldn’t bother a person because the issue can be easily fixed in the Lightroom without throwing an arm and a leg.
-The Sony SEL50F14Z lens doesn’t come cheap. However, this lens is a better version of its rivals. Therefore, the high asking price may not sting you a lot.
8. Sony Full Frame Zoom Camera Lens with UV Protection Lens Filter
- G-lens design with 4 aspherical and 3 ED glass (extra-low Dispersion) elements, for high...
- 35 mm full-frame.Constant F4 maximum aperture maintains exposure and Depth of field...
The Sony Full Frame Zoom Camera Lens is an amazing all-in-one zoom lens. Combined with the A7 III, the lens turns out to be good for anything, be it portrait photography, travel photography, video shooting, or something else. The lens hunts quickly, it’s adequately sharp, it has a nice focus and zoom ring, and it produces excellent bokeh. On the whole, it’s a good investment if you want a versatile lens from the Sony’s family.
Great Built: The overall built quality oozes quality. Keep in mind that it’s a professional grade lens that’s built with dust and moisture resistant design. Simply put, this is one of those few lenses out there that can take a beating.
Aperture: The lens is sharp all the way through the aperture range. The bokeh is amazing even at F4 with 9 blades. As hinted before, the image output is solid enough for any kind of photography.
-This Sony lens has optical image stabilization and manual focus options. The OSS on this lens is simply magical. In a well-lit and controlled environment, this lens can scare its rivals.
-The zoom lens for Sony A7 III has side buttons that can be programmed for different options. The lens is perfect for travel, portrait, or everyday use. It delivers photos and video recordings that you will be proud of.
–The lens extends on zooming. And, one can experience some vignetting at F4 & 24mm focal length.
–The lens is a bit on the heavier side. Given the bulk, it may not be the ideal travel lens for Sony A7III. Of course, this is not the end of the world for a lens of this quality.
Check Out: Sony A6500 Lenses for daily use
9. Zeiss Batis 85mm f/1.8 Lens for Sony E Mount
This high-end Batis lens is designed by Zeiss in conjunction with Sony exclusively for Sony E-mount cameras. It’s a well-rounded lens with fantastic design and features. When mounted on the A7 III camera, it works like a charm. It’s lighter, faster, smaller, and functionally better than its counterparts. Better yet, it creates a beautiful bokeh and amazing sharpness in the focus areas. This lens can really change a person’s portrait game—take it to a whole new level. Therefore, it’s considered to the best all around lens for Sony A7 III. A body of online customer reviews shows that we are right. Let’s dig into the features of the Zeiss Batis 85mm f/1.8 Lens to know more about it.
Accessories: The package arrives with the 85mm f/1.8 Lens itself along with front lens cap, rear lens cap, lens hood, literature, and limited 2-year warranty.
Anti-Coating: The lens features T* anti-reflective coating to reduce reflection from the surface of the glass to enhance the quality of the photographic images.
–Color reproduction and flaring control on this lens are at par with other high-end lenses out there. Given the image output, it can actually outperform many of them.
-This OSS lens makes zero sound while focusing. Moreover, the camera sensors do an excellent job at capturing the details. Furthermore, the lens has a modern design to it, and it renders as expected.
-The lens works well with autofocus, and it has provisions for manual focus as well. Better yet, it works well with bright and dim lights as well.
-The lens is optically stabilized. Even an older guy with non-steady hands will be able to use the mounted lens without any fuss.
-It’s pretty compact and lightweight for a 1.8 85mm lens. The best part is that there has been no image quality sacrifice to bring down the size and weight of the lens.
-The Sony 85mm f/1.8 Lens is not zoomable. It’s a prime lens that stays fixed at 85mm.
–Although expensive, this lens is worth every penny on any given day of the week.
-The rear cap seems to be a bit of a misfit for this lens. Simply put, it’s an unhealthy attraction for a lens of this design and quality.
10. Sony SEL100F28GM 100mm f2.8 Medium-telephoto Fixed Prime Lens
- Unique G Master mid-telephoto Lens w/ lifelike background defocus
- G Master design combines extraordinary sharpness and smooth bokeh
Designed for E-mount cameras, this image stabilized lens is a beast. Of course, a beautiful beast that’s dedicated to portrait shooting. When combined with the Sony A7 III, it takes care of every other woe that a photographer may have. For speed and ultimate picture quality, this lens is a no-brainer choice for photography enthusiasts as well as pros.
USP: The lens has a built-in apodization element to eliminate image distortion. For fast and quiet autofocus, the lens also features Direct Drive SSM motors. Better yet, the lens boasts a forward-thinking design offering the most beautiful bokeh ever.
9 Blade Aperture: To maximize image quality, the lens comes with 11-blade circular aperture. Most of the conventional lenses for portrait photography do not come with 11 blades. They come with a much lower blade count.
Instant Focus Selection: Unlike the competition, shifting from AF to MF and vice versa is not a pain in the butt on this lens. This well-engineered lens comes with AM/MF switch on the side of the lens to make the transition between the two a breeze.
–The lens delivers sharp and crisp lifelike images like nobody’s business. The best part is that the lens creates an amazing bokeh. That said, one will have to use the lens on T-mode to get that super creamy bokeh.
–It works well for still images as well as video works. Moreover, the lens comes with Nono AR Coating to reduce instances of flare and ghosting and to conquer chromatic aberration.
-Because of the asking price, the Sony SEL100F28GM 100mm f2.8 Medium-telephoto Fixed Prime Camera Lens may not suit most wallets.
-It doesn’t work well in low light scenarios. As hinted before, it’s not a multipurpose lens. It’s best suited for portrait photography.
This sums up our list of 10 best lenses for Sony A7 III. Frankly speaking, these are all podium contender lenses. If you get them, things will seldom go out of control. In fact, your heart will sing praises for the acquired lens. Keep in mind that this post exists for only one purpose—to provide you guys with sufficient information to own a fantastic lens without the usual drama involved in the process of getting one. Anyways, class dismissed for now. Enjoy clicking!